Within the studio with Niki Fisher, illustrator of The Cruise Handbook

Niki in her studio close to Jindabyne, Australia © Niki Fisher

Illustrator Niki Fisher is not any stranger to illustrating Lonely Planet titles – The Cruise Handbook is the fifth one she’s illustrated. We caught up along with her to learn how she designed the colourful cowl web page and the way this ties in with earlier illustrations for a similar collection.

Inform us concerning the transient

The transient was to create a canopy that depicted the vary of actions accessible on cruises in addition to the broad age teams that cruises entice nowadays. I used to be given ideas from the Artwork Director, however aside from that, the transient was fairly open.

How did you make a begin?

I began by doing a little bit of analysis on-line, discovering out concerning the enormous number of actions on supply on cruise strains – it was really fairly an eyeopener. I might by no means have imagined that there are total water parks, tennis courts and mountain climbing partitions on a variety of these enormous ships! As soon as I had collated a spread of actions and common cruise locations I began doing a little tough pencil sketches of particular person scenes. As soon as I had a number of sketches performed I began to position them on the web page subsequent to one another and work out a composition.

Had been there any challenges?

It’s a little bit of trial and error understanding what scenes go effectively aspect by aspect, making certain that every of the scenes was sturdy in isolation in addition to collectively working in concord within the general illustration. Additionally, contemplating how the illustration goes to tie in with the title could be a bit like a sport of Tetris.

What’s the one merchandise in your studio you’ll be able to’t dwell with out?

That’s exhausting, out of necessity I couldn’t do with no pencil. I may all the time draw on the partitions or some other floor if I needed to. I like working in a really sunlit area. Having a lot of pot vegetation in my studio in addition to a inexperienced wall helps create an phantasm of the outside which helps to make my workspace a cheerful place.

How did you get into illustrating books?

The primary ebook cowl I ever illustrated was The Solo Journey Handbook for Lonely Planet, and I am now engaged on my fifth new title. E-book covers are a very satisfying matter to work on, a variety of the work I do is editorial which may be very conceptual and the precise illustrating is one thing I do proper on the finish as soon as the idea is sound. A ebook cowl requires a variety of course of for it to come back collectively, which is commonly one thing that isn’t afforded on quick turnaround jobs.

The place on the planet do you normally work from?

I work from my dwelling which is a small cottage within the Snowy Mountains of Australia, simply outdoors of Jindabyne. I dwell with my associate and two sons. We moved right here from Melbourne final yr, we needed a lot of area for our youngsters to develop up in and discover.

See extra of Niki’s work at @nikifisherdesign.

Niki’s illustrations

The primary tough sketch for the structure of the duvet
Draft sketch of a bass participant
Remaining illustration of the bass participant
Sketch of couple dancing
Remaining of couple dancing
The ultimate structure of the duvet web page with out the title textual content

Supply hyperlink

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